Wilhelm Furtwängler saw “a wild, fantastic and even demonic universe†in the symphonies of Brahms. “Music is not something that is invented and constructed,†he wrote, “but something that grows, emerging … directly from the hands of nature.†With organic development so crucial to Brahms’ music, his symphonies were destined for a prominent place in Furtwängler’s repertoire. Among the other works in this collection are the Violin Concerto with Yehudi Menuhin, and the Piano Concerto No. 2 with Edwin Fischer, both recognised as landmark interpretations.