Fernando Sor was not only one of the great guitarists of his era but a major composer for the instrument, described by a contemporary critic as 'the Beethoven of the guitar'. His desire for the guitar to represent a miniature orchestra in timbre is a distinctive feature of his many compositions. The 24 Progressive Lessons, Op. 31 offer a panoramic lexicon for the student, moving from a simple waltz to perpetual motion, whilst the charming Six Little Pieces, Op. 32 further explore technical efficiency and musical expressiveness.
Fernando Sor was not only one of the great guitarists of his era but a major composer for the instrument, described by a contemporary critic as 'the Beethoven of the guitar'. His desire for the guitar to represent a miniatur...
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