This new collection fills all the gaps between Natalie's first recording, Mozart Concert Arias from 1994, and her latest, Rio Paris, from 2014. Since 2013 she has reinvented herself with recitals of French art song (notably ...

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This new collection fills all the gaps between Natalie's first recording, Mozart Concert Arias from 1994, and her latest, Rio Paris, from 2014. Since 2013 she has reinvented herself with recitals of French art song (notably Debussy with the pianist Philippe Cassard), with popular song and musicals (above all in her collaboration with the pianist and composer Michel Legrand), and even with Brazilian music (in the company of the singers Helena Noguerra and Agnès Jaoui and the guitarist Liat Cohen). Her commitment to each genre has been characteristically unreserved.

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