Widely regarded as one of the foremost Mozart interpreters of our time: Mitsuko Uchida returns, conducting the orchestra herself from the piano, with live performances of two of Mozart's most popular concertos. Mozart entere...

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Widely regarded as one of the foremost Mozart interpreters of our time: Mitsuko Uchida returns, conducting the orchestra herself from the piano, with live performances of two of Mozart's most popular concertos. Mozart entered the A major Concerto, K488 into his catalogue of works on March 2, 1786: A piano concerto. In the A major concerto, the meticulous accompaniment adds a softer, more intimate sound, which is also helped by the absences of festive trumpets and timpani. On March 24, 1786, Mozart entered the concerto in C minor, K491 in his catalogue. The piece calls for the largest orchestra that he ever used in a concerto: a flute, pairs of oboes, clarinets, bassoons, horns and trumpets; timpani and strings. The expressive opening movement is shaped with its dramatic leaps and its lamenting chromatic lines.

  • UCHIDA MITSUKO / CLEVELAND O.
  • MUSICA CLASICA
  • INTERNATIONAL
  • MUSIC
  • UCHIDA MITSUKO / CLEVELAND O.
  • MUSICA CLASICA
  • INTERNATIONAL
  • MUSIC

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