Virtually all the pieces in this recital were written by pianist-composers rather than composer-pianists, the majority prominent at the turn of the century. They are somehow part and parcel of a 19th century tradition--a love of encores, of the teasing and delectable. They could also be considered an overspill from several great pianists' careers, lavishly extending both style and technique.
Virtually all the pieces in this recital were written by pianist-composers rather than composer-pianists, the majority prominent at the turn of the century. They are somehow part and parcel of a 19th century tradition--a lov...
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