This Graduated Neutral Density Filter Set includes the 0.3 (1-Stop), 0.6 (2-Stop), and 0.9 (3-Stop) hard edge filters, and a triple filter wrap made of soft microfiber. These filters are rectangular in shape so that you, th...

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This Graduated Neutral Density Filter Set includes the 0.3 (1-Stop), 0.6 (2-Stop), and 0.9 (3-Stop) hard edge filters, and a triple filter wrap made of soft microfiber. These filters are rectangular in shape so that you, the photographer, have the ability to manipulate where the grad line falls within the frame. If you wish to have more skyline than foreground simply move the filter down within the holder. Moving the filter up within the holder will allow for more foreground than skyline, you have ultimate creative control. The purpose of the ND grad is to reduce the brightness of selected areas of the frame, balancing out the exposure throughout the frame. A true neutral density grad should have no impact on color balance, and because LEE filters are perfectly neutral, your images will be true to what you see in nature. A hard edge graduated filter is characterized by a very sharp transition between the clear and neutral density sections of the filter. A hard edge grad allows the photographer to control with great precision the desired effect of the image - especially when the transition between two areas in the frame is particularly abrupt, such as a flat horizon line over the ocean. The effect of the filter 'carrying over' from one part of the frame to another would be undesirable.

  • Allows the transition to be blended into the scene, often imperceptibly
  • Neutral density 0.6-to-clear, with a two stop differential
  • Compensates the average bright sky-to-foreground situation
  • The most popular density of the series
  • Recommended for wide angle lenses and the hard edge is recommended for normal and longer lenses
  • Allows the transition to be blended into the scene, often imperceptibly
  • Neutral density 0.6-to-clear, with a two stop differential
  • Compensates the average bright sky-to-foreground situation
  • The most popular density of the series
  • Recommended for wide angle lenses and the hard edge is recommended for normal and longer lenses

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