Strauss and librettist Hoffmannsthal planned a light opera on themes of marital relations and reconciliation. They imagined the rescued Helen of Troy traveling home with Menalaus, who now wants to kill her for her infidelity...

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Strauss and librettist Hoffmannsthal planned a light opera on themes of marital relations and reconciliation. They imagined the rescued Helen of Troy traveling home with Menalaus, who now wants to kill her for her infidelity that led to the carnage of the Trojan War. Despite some comic writing early on, they failed to produce the requisite lightness, stuffing the libretto with clichéd symbolism including singing seashells, elves, magic potions, and more. But Strauss' score, if not wholly successful, does have some terrific moments, including Helen's spectacular big aria that opens Act Two. This again proves that even lesser Strauss operas shouldn't be missed. Deborah Voigt invests Helen with vocal radiance and power. She makes this recording a must-have. Her colleagues include mezzo Jill Grove's big-voiced Sea Shell and Celena Shafer's fine lyric soprano in the role of the enchantress Aithra, and tenor Carl Tanner who valiantly gets through the impossible part of Menaleus. All must contend with Leon Botstein's rough-and-ready conducting, but only Voigt effortlessly rides over the huge orchestral climaxes that sometimes bury the others. The fine orchestral playing gives Strauss' brilliant colors their full due. Telarc's engineering of this live concert performance is first class, helping to make this the preferred recorded version of the opera. --Dan Davis

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