This Pirandello-like, 1814 comedy of manners has long lived in the shadow of Rossini's better-known L'Italiana in Algeri, but this recording, more than either of its predecessors, allows it to bloom in all its ironic loveliness. Cecilia Bartoli, a born comedian, sings expressively and angelically while her character behaves devilishly, and the supporting cast is no less effective. Riccardo Chailly brings out all of the score's humor, and all of its warmth as well. A little-known gem for fans of The Barber of Seville. --Robert Levine
This Pirandello-like, 1814 comedy of manners has long lived in the shadow of Rossini's better-known L'Italiana in Algeri, but this recording, more than either of its predecessors, allows it to bloom in all its ironic ...
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