Christopher Hogwood's jaunty accounts with the Academy of Ancient Music, from 1984, are characterful though less than impressively recorded. The personnel are outstanding (showing the strength of the London scene even then),...

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Christopher Hogwood's jaunty accounts with the Academy of Ancient Music, from 1984, are characterful though less than impressively recorded. The personnel are outstanding (showing the strength of the London scene even then), with the only drawback being the weak solo trumpet of Friedemann Immer in Concerto No. 2. --Ted Libbey

  • HOGWOOD C. / ACADEMY OF ANCIEN
  • MUSICA CLASICA
  • INTERNATIONAL
  • MUSIC
  • HOGWOOD C. / ACADEMY OF ANCIEN
  • MUSICA CLASICA
  • INTERNATIONAL
  • MUSIC

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