Volume 3 gathers Hofmann's complete acoustic Columbia 78s, including seven previously unissued sides. While Hofmann allowed a lot of leeway in live performance, he took recording seriously, both from an artistic and technical standpoint. The myriad subtleties of touch, pedaling, and articulation in Hofmann's playing come through loud and clear in these vintage 1912-1918 recordings. Each selection reveals the pianist's singing tone, extremely even fingerwork, aristocratic poise, and taste. There's a sense of purpose and proportion to the playing that belies the notion that all Romantic pianists took insane liberties. --Jed Distler
Volume 3 gathers Hofmann's complete acoustic Columbia 78s, including seven previously unissued sides. While Hofmann allowed a lot of leeway in live performance, he took recording seriously, both from an artistic and technica...
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