In 1939 Lewis Allan's song "Strange Fruit" was a focal point of Billie Holiday's performances, a grimly poetic evocation of lynching delivered with tremendous dramatic power. It was so pointed a protest, however, that Columbia refused to record it. Milt Gabler arranged to record it for Commodore, his independent jazz label, and when it was paired with the sensual "Fine and Mellow," it became Holiday's first hit record. This two-CD set includes all the takes from the 1939 and 1944 sessions, and they're some of Holiday's finest moments in the recording studio, combining first-rate material and sympathetic support that includes pianist Eddie Heywood, drummer Sid Catlett, and trombonist Vic Dickenson. Holiday's vocal and interpretive skills were seldom as beautifully balanced as they are here. --Stuart Broomer
In 1939 Lewis Allan's song "Strange Fruit" was a focal point of Billie Holiday's performances, a grimly poetic evocation of lynching delivered with tremendous dramatic power. It was so pointed a protest, however, that Columb...
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