The 40-year career of radically minimalist sculpture and poetry of Carl Andre, one
of the major American minimalists of the 1960s, is often compared to
contemporaries like Robert Morris and Donald Judd. This dynamic collection of
essays and exhibition reviews charts the gradual evolution of consensus on the
meaning of Andre's art among the most influential art historians and critics of our
time. Contributors include Clement Greenberg, Donald Kuspit, Lucy R. Lippard,
Robert C. Morgan, Barbara Rose and Roberta Smith; some of the essays appear
here in English for the first time. An indispensable anthology on one of the central
figures of the minimalist movement.
The 40-year career of radically minimalist sculpture and poetry of Carl Andre, one
of the major American minimalists of the 1960s, is often compared to
contemporaries like Robert Morris and Donald Judd. This dynamic co...
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