Pentatonic and hexatonic scales are a staple of the modern jazz sound from the 1960s onwards. If you're interested in exploring what goes into this beautiful modernist sound, read on. And understanding the way these structur...

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Pentatonic and hexatonic scales are a staple of the modern jazz sound from the 1960s onwards. If you're interested in exploring what goes into this beautiful modernist sound, read on. And understanding the way these structures work will also add an extra level to the way you play when you aren't splanking it out like McCoy or Chick.   This book gives detailed exploration of the six most used pentatonic scales, what to play on every chord type, pentatonics on II-V-Is, variations on II-V-Is and reharmonisations, outside and parallel pentatonics, partial pentatonics, pentatonics with passing notes, keeping modal form, all about groove, traditional hexatonics, hexatonics from triad pairs, the whole-tone family of six, modalisation, fragmentation and outside playing with hexatonics, practice suggestions, example solos, appendices, exercises, pentatonic licks from the jazz repertoire, the "avoid" note, listening, suggested tunes. (152 pages)

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