Material religion is a rapidly growing field, and this volume offers an accessible, critical entry into these new areas of research. Each "key term" uses case studies and is accompanied by a color image – an object...

Buy Now From Amazon

Material religion is a rapidly growing field, and this volume offers an accessible, critical entry into these new areas of research. Each "key term" uses case studies and is accompanied by a color image – an object, practice, space, or site. The entries cut across geographies, histories, and traditions, offering a versatile and engaging text for the classroom.

Key topics covered include:

- Icon, ritual, magic, gender, race
- Sacred, spirit, technology,
- Space, belief, body, brain
- Taste, touch, smell, sound, vision

Each entry demonstrates in clear and jargon-free prose how the key term figures prominently in understanding the materiality of religion. Written by leading international scholars, all entries are linked by the ways materiality stands at the forefront of the understanding of religion, whether that comes from humanistic, social scientific, artistic, curatorial, or other perspectives. Brent Plate brings his expertise and extensive teaching experience to the comprehensive introduction which introduces students to the themes and methods of the material cultural study of religion.

Key Terms in Material Religion provides a much-needed resource for courses on theory and method in religious studies, the anthropology of religion, and the ever-increasing number of courses focused on material religion.



Similar Products

More Than Belief: A Materialist Theory of ReligionHistory and PresenceA History of Religion in 5½ Objects: Bringing the Spiritual to Its SensesThe Madonna of 115th Street: Faith and Community in Italian Harlem, 1880-1950, Third EditionVibrant Matter: A Political Ecology of Things (a John Hope Franklin Center Book)Religious Objects in Museums: Private Lives and Public DutiesThe Forge of Vision: A Visual History of Modern ChristianitySensational Religion: Sensory Cultures in Material Practice