Winner of the IASPM's Woody Guthrie Award (2007)

In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The r...

Buy Now From Amazon

Winner of the IASPM's Woody Guthrie Award (2007)

In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate―and to some extent recreate―Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru."

  • Used Book in Good Condition
  • Used Book in Good Condition

Similar Products

Roll With It: Brass Bands in the Streets of New Orleans (Refiguring American Music)Symphonies Nos. 1, 2, 3 and 4 in Full Score (Dover Music Scores)Electric Santería: Racial and Sexual Assemblages of Transnational Religion (Gender, Theory, and Religion)The Exotic In Western MusicListening in Detail: Performances of Cuban Music (Refiguring American Music)Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño (Refiguring American Music)